Theatre has always fascinated me as a way to explore the role of sound and music in shaping movement, choreography and the description of a scene. Composing for theatre allows me to experiment with how music interacts with the stage and narrative, offering a perspective on sound that goes beyond traditional structures.
PULS is a documentary play, directed by Ermin Bravo, that explores the complexity of communication through music, movement, and the personal stories of seven performers. It opens shared spaces between deaf and hearing communities by examining how we listen, perceive, and express our inner worlds. For this production, I composed the original music with live improvisation
For the theatre production The Merchant of Sarajevo, directed by Michal Dočekal and written by Igor Štiks, I composed the original score inspired by the journey of the Sarajevo Haggadah and its lasting place in Bosnian cultural memory. The play explores themes of heritage, identity, and resilience, and working on it allowed me to approach these ideas through sound. It premiered at the National Theatre of Sarajevo.
The original music for Disgraced, directed by Dino Mustafić and based on Ayad Akhtar’s Pulitzer Prize-winning drama of the same name. The production explores themes of Islamophobia, identity and cultural tension.